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Displaying 8,521-8544 of 19,085 Works

  • H. H. Tilbrook 1848 – 1937

    Mumbannar Lagoon, Victoria

    1905
    gelatin-silver photograph
    Accession no: 20041RJN42.9
  • Dorothy Djukulul 1942

    Mundjukul

    1987
    earth pigments on Stringybark (Eucalyptus tetrodonta)
    Accession no: 882P11
  • James Cant 1911 – 1982

    Mundoie bird

    1948
    oil on board
    Accession no: 957P58
  • Pauline Nangala Sunfly 1958

    Mungai

    2018
    synthetic polymer paint on linen
    Accession no: 20197P125
  • Elisabeth Cummings 1934

    Mungo moonlight

    2016
    etching, aquatint, printed in blue ink on paper
    Accession no: 20193G36
  • D. Darian Smith 1900 – 1984

    Munitions worker stacking practice bombs

    1943
    gelatin-silver photograph
    Accession no: 20081Ph34

  • Murlapaka

    1800s
    wood (eucalyptus) and earth pigments
    Accession no: 20202S1
    On display, Gallery 2
  • Ettore Sottsass (designer) 1917 – 2007 , Memphis Milan (manufacturer) est. 1981 – 1988/1988 , Rossi & Arcandi, Vicenza (manufacturer) est. 1959

    Murmansk centrepiece

    1982-86; designed 1982
    silver
    Accession no: 20114A24(a&b)
    On display, Gallery 12
  • Glenda León 1976

    Murmurs of the Earth (Crickets) [Murmullos de la Tierra (Grillos)]

    2022
    earthenware, glaze
    Accession no: 20226C33
    On display, Gallery 12
  • Glenda León 1976

    Murmurs of the Earth (Kiss) [Murmullos de la Tierra (Beso)]

    2022
    earthenware, glaze
    Accession no: 20226C32
    On display, Gallery 12
  • Glenda León 1976

    Murmurs of the Earth (Train) [Murmullos de la Tierra (Tren)]

    2022
    earthenware, glaze
    Accession no: 20226C34
    On display, Gallery 12
  • Ricky Maynard 1953

    Murray

    2015; printed 2017
    gelatin-silver photograph
    Accession no: 20173Ph13
  • George Burnell 27 September 1830 – 24 November 1894

    Murray at Swan Hill

    1862
    albumen-silver photograph (stereograph)
    Accession no: 805HP70(60)
  • R E Sheedy

    Murray Bridge?

    c 1900-20
    glass plate negative (dry plate)
    Accession no: 20041RJN4331
  • Unknown

    Murray Bridge

    c 1900?
    lantern slide
    Accession no: 20041RJN6679
  • Edmund Diederich 05 February 1854 – 1923

    Murray Bridge, fence palings in foreground

    c 1890-1923
    glass plate negative (dry plate)
    Accession no: 20041RJN3430
  • George Burnell 27 September 1830 – 24 November 1894

    Murray Downs Station

    1862
    albumen-silver photograph (stereograph)
    Accession no: 805HP70(57)
  • James Cant 1911 – 1982

    Murray near Purnong

    1962
    oil on composition board
    Accession no: 957P67
  • Fred Williams 1927 – 1982

    Murray River, panel 1

    1972
    etching, roulette and foul biting on paper
    Accession no: 20172G4
  • Fred Williams 1927 – 1982

    Murray river, panel I

    1972
    etching, roulette, foul biting on paper
    Accession no: 20174G100
  • Fred Williams 1927 – 1982

    Murray River, panel II

    1972
    etching, roulette and foul biting on paper
    Accession no: 20172G5
  • Fred Williams 1927 – 1982

    Murray River, panel III

    1972-73
    etching, engraving, roulette and foul biting on paper
    Accession no: 20172G6
  • Fred Williams 1927 – 1982

    Murray River, panel IV

    1972-73
    etching, drypoint, engraving with mezzotint rocker, electric hand engraving tool and roulette printed in sanguine on paper
    Accession no: 20172G7
  • Fred Williams 1927 – 1982

    Murray River, panel V

    1972
    etching, engraving, foul biting and roulette printed in sanguine on paper
    Accession no: 20172G8
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.