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Displaying 7,945-7968 of 19,085 Works

  • Charles P Mountford 1890 – 1976

    Matinya seated on the edge of Uluru rockhole, watching for signs of the mythical snake

    1940
    gelatin-silver photograph
    Accession no: 20035Ph4
  • Eric Wilson 1911 – 1947

    Matron MacIntosh, Lidcombe Hospital

    1942
    oil on canvas
    Accession no: 786P15
  • attributed to Reiji Esaki 1845 – 1910

    Matsushima, Inland Sea [part 1]

    c 1890
    albumen print, hand coloured mounted on card
    Accession no: 20222Ph57
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 1587

    Matthew, Archduke of Austria

    c 1601-03
    engraving on paper
    Accession no: 097G1291
  • Mortimer Menpes 1855 – 1938

    Maud

    c 1879
    drypoint, plate tone, printed in brown ink on paper
    Accession no: 20133PP1
  • Olive Cotton 1911 – 2003

    Max after surfing

    1939
    gelatin-silver photograph
    Accession no: 20158Ph115
  • Joel Johnston 1970

    Max Harris

    1994
    gelatin-silver photograph
    Accession no: 952Ph18
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 1587

    Maxililian I Emperor

    c 1601-03
    engraving on paper
    Accession no: 097G1343
  • attributed to Dominicus Custos c.1560 – 1612 , after Giovanni Battista Fontana 1524 – 1587

    Maximillian, Duke of Austria

    c 1601-03
    engraving on paper
    Accession no: 097G1326
  • Honoré Daumier 1808 – 1879

    May he die!... (Les Horaces) (Qu'il mourut !...(Les Horaces))

    1841
    lithograph on paper
    Accession no: 201010G19
  • Francisco Goya 30 March 1746 – 16 April 1828

    May the cord break

    1810-15; published 1863
    etching, aquatint, drypoint, burnishing on paper
    Accession no: 6512G132
  • Robert Fielding 1969

    Mayatja Pulka: The Elders

    2017
    pigment prints on paper
    Accession no: 20173Ph16(1-32)
  • Robert MacPherson 1937 – 2021

    Mayfair: Xmas (Wildfire red) for Mrs Pretty

    2001-02
    synthetic polymer paint on board
    Accession no: 20047P68
  • Andrew Snelgar 1982

    Mayinbu-Ngiya

    2017
    hardwood, resin, white earth pigments
    Accession no: 20177S46(a&b)
    On display, Gallery 2
  • Rennie Ellis 1940 – 2003

    MC, Paradise Club, Kings Cross

    c 1970-71; printed 2008
    gelatin-silver photograph
    Accession no: 20096Ph56
  • Camille Pissarro 1830 – 1903

    Meadow at Éragny (Prairie à Éragny)

    1886
    oil on canvas
    Accession no: 20138P31
    On display, Gallery 16
  • F. A. Joyner 1863 – 1945

    Meadow hay

    c 1903-12
    bromide photograph
    Accession no: 3010Ph4
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone, on chine collé on paper
    Accession no: 20133PP469
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone on chine collé on paper
    Accession no: 20133PP712
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone on chine collé on paper
    Accession no: 20133PP714
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone on chine collé on paper
    Accession no: 20133PP713
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone on paper
    Accession no: 20133PP711
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone on paper
    Accession no: 20133PP155
  • Mortimer Menpes 1855 – 1938

    Mealtime, Japan

    1913-14
    etching, drypoint, plate tone, on chine collé on paper
    Accession no: 941G10
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.