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Displaying 6,553-6576 of 19,096 Works

  • Tiwi Design est. 1969 , Marie Evelyn Puautjimi (designer) c.1945

    Jilamara [Body design length of fabric]

    printed 2003
    colour screenprint on cotton
    Accession no: 20037A48A
  • Tiwi Design est. 1969 , Jock Puatjimi (designer) 1962

    Jilamara [length of fabric]

    designed 1980s; printed 2003
    screenprint on cotton
    Accession no: 20065A76A
  • Peter Skipper c.1929 – 2007

    Jilji

    1987
    synthetic polymer paint on canvas
    Accession no: 905P11
  • Sue Ford 1943 – 2009

    Jim

    1964; and 1974
    two gelatin-silver photographs
    Accession no: 7911Ph78(a&b)
  • Rosemary Laing 1959 – 2024

    Jim

    2010
    type C photograph
    Accession no: 20123Ph32
  • Paddy Jaminji 1912 – 1996

    Jiminjil Country

    c 1987
    earth pigments on canvas
    Accession no: 8811P76
  • Peter Drew 1983

    Jimmy Ah Can, 1921

    2016
    screenprint, printed in black, blue inks on paper
    Accession no: 20167G104
  • Nyaparu (William) Gardiner 1943 – 2018

    Jimmy Gardiner

    2018
    synthetic polymer paint on linen
    Accession no: 20197P85
  • attributed to Egid Verelst 1742 – 1818 , after F Weisbrobt

    Jo. Gottlieb Faber

    late 18th-early 19th century
    line and stipple engraving on paper
    Accession no: 084G1522
  • Edmund Diederich 05 February 1854 – 1923

    J.O. Thiele general store adjoining Duncan & Fraser motors

    c 1900-23
    glass plate negative (dry plate)
    Accession no: 20041RJN3396
  • Albrecht Dürer 1471 – 1528

    Joachim and St Anne meet at the Golden Gate

    1504; published 1511
    woodcut on paper
    Accession no: 084G1149
  • Albrecht Dürer 1471 – 1528

    Joachim and the angel

    c 1504; published 1511
    woodcut on paper
    Accession no: 084G1150
  • Marcantonio Raimondi c.1470-82 – 1527-34 , after Albrecht Dürer 1471 – 1528

    Joachim and the Angel

    c 1505-06
    engraving on paper
    Accession no: 084G1673
  • Georg Lichtenstecher 1700 – 1780 , after Georg Martin Preisler 1700 – 1754

    Joachim Negelein

    1732
    engraving on paper
    Accession no: 084G1366
  • David Dallwitz 1914 – 2003

    Joan Resting

    1951
    ballpoint pen on paper
    Accession no: 8210D40
  • Unknown (?) , Dancker Danckerts (publisher) 1634 – 1666

    Joannes Casimiro

    1649
    engraving on paper
    Accession no: 097G394
  • William Blake 28 November 1757 – 12 August 1827

    Job accepting charity

    1823-26; published 1826
    engraving on chine collé on paper
    Accession no: 20153G19
  • William Blake 28 November 1757 – 12 August 1827

    Job accepting Charity

    1823-26; published 1874
    engraving on chine collé on paper
    Accession no: 545G33
  • William Blake 28 November 1757 – 12 August 1827

    Job and his daughters

    1823-26; published 1874
    engraving on chine collé on paper
    Accession no: 545G34
  • William Blake 28 November 1757 – 12 August 1827

    Job and his Family

    1823-26; published 1874
    engraving on chine-collé paper
    Accession no: 545G15
  • William Blake 28 November 1757 – 12 August 1827

    Job and his wife restored to Prosperity

    1823-26; published 1874
    engraving on chine collé on paper
    Accession no: 545G35
  • Tracey Moffatt 1960

    Job hunt, 1976

    1994
    colour photolithograph on paper
    Accession no: 20132Ph47
  • William Blake 28 November 1757 – 12 August 1827

    Job rebuked by his friends

    1823-26; published 1874
    engraving on chine collé on paper
    Accession no: 545G24
  • William Blake 28 November 1757 – 12 August 1827

    Job's comforters

    1823-26; published 1874
    engraving on chine collé on paper
    Accession no: 545G21
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.