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Utagawa Kokunimasa 1874 – 1944

Illustration of the Decapitation of Violent Chinese Soldiers (Bôkô shihei o zanshu suru zu)

1894 (Meiji 27)

colour woodblock print on paper

Accession no: 20196G126
Utagawa Kunisada 1786 – 1865

Illustration of the great battle of Tōdai (tōdai dai sensō no zu), also known as the Battle of Ueno

c 1868

colour woodblock prints on paper, enneaptych

Accession no: 20214G136(a-j)
Shōgetsu Toshu active 1870-1900

Illustration of the imperial carriage on the occasion of the promulgation of the constitution (kenpō happō hōren rinkō sachizu)

1888

colour woodblock print on paper

Accession no: 20196G183
Kobayashi Kiyochika 1847 – 1915

Illustration of the Landing and Advance to Weihaiwei (Ikaiei jôriku shingun no zu)「威海衛上陸進軍之圖」

1895 (Meiji 28)

colour woodblock print on paper

Accession no: 20196G192
Nobukazu Yōsai 1872 – 1944

Illustration of the Meeting with Taewongun at the Korean Royal Palace (Chôsen ôjô Tai-in-kun sanden no zu)

1894 (Meiji 27)

colour woodblock print on paper

Accession no: 20196G73
Kobayashi Kiyochika 1847 – 1915

Illustration of the Second Army's Assault on Port Arthur (Dainigun Ryojunkô kôgeki no zu)

1894 (Meiji 27)

colour woodblock print on paper

Accession no: 20196G119
Nobukazu Yōsai 1872 – 1944

Illustration of the Third National Industrial Exposition (Dai sankai hakurankai zu) 第三回博覧会圖

1890

colour woodblock print on paper

Accession no: 20196G188
Unknown

Illustration portraying angels at periphery of holy city

c 1890-1920

partial lantern slide

Accession no: 20041RJN6428
Unknown

Illustration portraying biblical landscape

c 1890-1920

partial lantern slide

Accession no: 20041RJN6420
Unknown

Illustration portraying frogs leaping from pie

c 1890-1920

lantern slide

Accession no: 20041RJN6430
Unknown

Illustration portraying interior of grand hall

c 1890-1920

lantern slide

Accession no: 20041RJN6419
Unknown

Illustration portraying pear, man and woman

c 1890-1920

partial lantern slide

Accession no: 20041RJN6423
Unknown

Illustration portraying soldier and weeping woman

c 1900?

lantern slide

Accession no: 20041RJN6611
Naniwa Shorin Publisher, Osaka active late 18th century

Illustrations of Foreign Textiles (Sarasa Zufu)

1785

monochrome woodblock print on paper (44 folded bound leaves)

Accession no: 201210G102
Utagawa Yoshitsuya 1822 – 1866

Illustrations of the forty-seven ronin (gishi yon ju nana ni no nai)

1848-50

woodblock printed book; ink and colours on paper, 50 prints (25 folded leaves)

Accession no: 20233G77
George John Pinwell 26 December 1842 – 8 September 1875

'I'm your very humble servant'

c 1865

pen & ink, pencil, white gouache on wood

Accession no: 01D20
Bill Henson 1955

Image no. 153

1985-86

type C photograph

Accession no: 911Ph11
Bill Henson 1955

Image no. 53

1985-86

type C photograph

Accession no: 911Ph10
Albert Tucker 1914 – 1999

Images of Modern Evil

1945

pastel on paper

Accession no: 7813D25
Raymond Arnold 1950

Imaginary landscape - eighteen months in Tasmania

1993

etching on eight sheets of buff paper

Accession no: 985G37(a-h)
Gwendolyn Morris 1904 – 1993

(Imperial Camel Corps. Memorial, Victoria Embankment Gardens)

c 1930

gelatin-silver photograph

Accession no: 20158Ph95
Gwendolyn Morris 1904 – 1993

(Imperial Camel Corps. Memorial, Victoria Embankment Gardens, London; viewed from the left)

c 1930

gelatin-silver photograph

Accession no: 20158Ph103
Gwendolyn Morris 1904 – 1993

(Imperial Camel Corps. Memorial, Victoria Embankment Gardens, London; viewed from the right)

1931

gelatin-silver photograph

Accession no: 20158Ph104
George Freeman (attributed) 1842 – 1895

Imperial hotel, Adelaide

c 1870-80

albumen-silver photograph

Accession no: 791Ph34

Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.