Collection Search

AGSA respectfully advises Aboriginal and Torres Strait Islander peoples that this site includes the names and images of deceased people.

View Results
Refine your search

Searching for works, with images.

Reset

Displaying 3,601-3624 of 19,096 Works

  • Morris & Co. (manufacturer) 1861 – 1940 , John Henry Dearle (designer) 1859 – 1932 , Jeffrey & Company (printer) 1836 – 1930

    Double bough wallpaper

    c 1900
    colour woodcut on paper
    Accession no: 903A28
  • James Powell & Sons, Whitefriars Glass Works (manufacturer) 1834 – 1980 , Geoffrey Baxter (designer) 1922 – 1995

    Double diamond cased vase in Kingfisher blue

    1970s
    glass
    Accession no: 20202C54
  • Mitch Dunnett 1964 – 1996

    Double Dutch

    1988
    synthetic polymer paint, oil on cardboard
    Accession no: 8811P52
  • Arthur Boyd 1920 – 1999

    Double figure reflected in pool

    c 1963
    charcoal on paper
    Accession no: 757D14
  • China

    Double gourd vase, with flowers and auspicious motifs

    c.1600
    porcelain, underglaze blue
    Accession no: 20158C37
  • Francis Upritchard 1976

    Double mountain vase

    2023
    glass with metal lustre
    Accession no: 20236C25
    On display, Gallery 12
  • Mortimer Menpes 1855 – 1938

    Double portrait of Sir Henry Irving

    c 1899
    pencil, watercolour, oil on card
    Accession no: 20081D3
  • Philip J. Marchant 1846 – 1910

    Double self-portrait

    c 1866
    albumen-silver photograph (carte de visite)
    Accession no: 20041RJN2223
  • Morris & Co. (manufacturer) 1861 – 1940 , William Morris (designer) 1834 – 1896

    Dove and rose curtain

    c 1890; designed 1879
    woven silk & wool, silk & wool fringe
    Accession no: 906A45
  • Chelsea Porcelain Works, Chelsea, London operating around 1745-1756

    Dovecote scent-bottle

    c 1755
    porcelain, gold
    Accession no: 905C12
  • Nora Heysen 11 January 1911 – 30 December 2003

    Down and out in London

    1937
    oil on canvas
    Accession no: 944P4
  • Geoffrey Brown 1926 – 2014

    Down & out, bank of Seine

    1953
    etching on paper
    Accession no: 20146G37
  • Joshua Reynolds 1723 – 1792

    Dr John Armstrong

    1767
    oil on canvas
    Accession no: 0.842
    On display, Gallery 13
  • Hugh Ramsay 1877 – 1906

    Dr John Ramsay

    1895
    oil on canvas
    Accession no: 20111P6
  • John Henry Chinner 1865 – 1933

    Dr. L.W. Linn

    1931
    pen & wash on card
    Accession no: 794HP29
  • Kanō Tan’yu 1602 – 1674

    Dragon and bamboo, with inscription after Sesshū Tōyo

    1650-60
    hanging scroll, ink on paper
    Accession no: 20186P101
  • Tōwa Maemura

    Dragon and clouds

    1800-40
    ink, colour on silk
    Accession no: 20226P107
  • Japan

    Dragon and Tiger

    c 1850
    Pair of six-panel screens, colour, ink, silver alloy on paper
    Accession no: 20053A10(a&b)
  • Japan

    Dragon cabinet

    c 1880
    wood, laquer, gilt bronze
    Accession no: F111(a-c)
  • René Lalique (designer) 1860 – 1945

    Dragonflies brooch

    1903-05
    gold, diamond, Australian opal, plique a jour enamel
    Accession no: 20131A1
    On display, Gallery 16
  • Olive Cotton 1911 – 2003

    Drain pipes

    c 1937; printed 1984
    gelatin-silver photograph
    Accession no: 936Ph4
  • Dora Chapman 1911 – 1995

    (Draped female figure)

    c 1940
    pencil on paper
    Accession no: 965D59
  • Robert Klippel 9 /06/1920 – 2001

    Drawing

    1965-72
    watercolour, ballpoint pen, pencil on paper
    Accession no: 744D11
  • Peter Booth 2 September 1940

    Drawing

    1975
    compressed charcoal on paper
    Accession no: 887D2
Notes

AGSA's collection holds almost 46,000 works of art. Our future ambition is to make the entire collection accessible online. Search over 20,000 works today.

Reproductions and use of images of works of art in AGSA's collection may be restricted under the Australian Copyright Act 1968. Further information is available in the Copyright and Reproductions section of this website.

AGSA undertakes ongoing research to establish the history of ownership, or provenance, of works of art in the collection.