Place made
Haarlem, Netherlands
Medium
oil on wood panel
Dimensions
31.7 x 24.0 cm
Credit line
Mrs Mary Overton Gift Fund 1999
Accession number
996P30
Signature and date
Signed, l.l., oil "bEga". Not dated.
Provenance
George Salting (1835-1909); Frederik Muller & Cie sale, Amsterdam, 14 May 1912, lot 105; in the collection of (Federico) Gentili di Giuseppe (1868-1940), Paris by 1940; Hotel Drouot sale, Paris, 23-24 April 1941; private collection, France; Hotel Drouot sale, Paris, 30 March 1998; bt Johnny Van Haeften Ltd and Richard Green, London; from whom acquired for the Mrs Mary Overton Gift Fund, 1999.
Media category
Painting
Collection area
European paintings
  • Cornelis Bega was the grandson of the acclaimed history painter Cornelis Cornelisz van Haarlem and a pupil of the genre painter Adriaen van Ostade, who probably studied under Frans Hals. He pursued a successful career both as a printmaker – the Gallery owns the Duc d’Arenberg collection of the etchings of Cornelis Bega, the most comprehensive collection of its kind in the world – and as a painter of scenes of salty, low-life taverns, domestic interiors and villages.

    This small-scale work is typical of Bega’s panel paintings from the early 1660s, in that he had reduced the number of figures of his previously well-populated genre paintings to one or several individuals, often engaged in drinking, music-making or some other form of merriment. Here, a young woman contemplates a glass of wine that may have just been presented to her by the lecherous-looking man to her left, who holds a smoking implement. In front of him, barely discernible, another man relieves himself against the rear wall of the shadowy tavern nearby. One can only speculate how this episode will conclude.

    Tony Magnusson, Curator of European Art, 2016–18


  • [Book] AGSA 500.