Place made
Aurukun, Queensland
Medium
earth pigments and charcoal on linen
Dimensions
267.0 x 200.0 x 3.5 cm
Credit line
Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2015
Accession number
20155P54
Signature and date
Signed and dated verso l.r. corner, fibre-tipped pen "Mavis Ngallametta… 2015".
Media category
Painting
Collection area
Australian paintings - Aboriginal and Torres Strait Islander
  • Apart from being the title of Mavis Ngallametta’s work, the mouth of Kendall River was also the artist’s Country, an area south of Aurukun, in far north Queensland. Ngallametta’s intimate knowledge of the landscape, with its intricacies and nuances, enabled her to depict the complexity of the region with assurance, the diverse waterways, swamps, cliff formations, coastlines and vegetation all skilfully captured in this large-scale painting.

    In this work, a record of a visit to Kendall River during a cultural exchange in 2013, Ngallametta placed herself at the scene with two visitors among the densely painted meandering lines and the shifting above and below perspectives. Painted with clay, ochre and charcoal from the region, the scintillating tones and contrasting white are the colours of Country. A successful weaver, Ngallametta began painting in 2008, developing a practice on canvas that interconnected the intricate and abundant ecosystems in her Country with the spiritual and personal connection she had with the region.


    Gloria Strzelecki, Associate Curator of Aboriginal & Torres Strait Islander Art

  • Tarnanthi - Festival of Contemporary Aboriginal and Torres Strait Islander Art

    Art Gallery of South Australia, 8 October 2015 – 17 January 2016
  • [Book] AGSA 500.