Place made
Montreuil-sur-Mer, France
Medium
pastel, charcoal on paper
Dimensions
23.0 x 35.6 cm (sight)
Credit line
Gift of Luise Andrewartha in recognition and memory of her aunt Kathleen Sauerbier through the Art Gallery of South Australia Foundation 2024
Accession number
20242P19
Signature and date
Not signed. Not dated.
Collection area
Australian paintings
Copyright
© Estate of the artist
Image credit
Photos: Stewart Adams
  • This pastel of a market in Montreuil-sur-Mer, France was created during Kathleen Sauerbier’s time abroad.  In 1925, Sauerbier travelled aboad the Maloja to London with her friend and fellow artist Audrey Hardy and would remain in Europe for two years before returning to Adelaide in January 1928.  Her time abroad was spent studying at the Central School of Art in London and travelling through France. Sauerbier and Hardy would spend three weeks in the Montreuil-sur-Mer area painting en plein air. This work titled Market, Montreuil-sur-Mer is from a collection of scenes rendered by Sauerbier capturing the activity of a bustling French open air market. Sauerbier depicts market goers in traditional dress surrounded by stalls and baskets filled with produce and flowers.

  • Born in 1903 in the suburb of Brighton, South Australia, Kathleen Sauerbier was known for her paintings of landscapes, streetscapes, still lifes and portraits. Her practice also extended to fabric and jewellery design. Through her studies and travels abroad, Sauerbier would be introduced to modernism and the movement would inform both her aesthetic and personal life.


    Sauerbier undertook formal studies in art in 1922 at the School of Fine Arts in North Adelaide, South Australia under Frederick Britton and later Millward Grey before travelling abroad in1925. While in London she enrolled at the Central School of Art where she studied under the tutelage of Bernard Meninsky, Frederick J. Porter and James Ardern Grant.  Her time overseas also saw her travel to France.


    Returning to Adelaide from Europe in January 1928, Sauerbier would find inspiration and solace in the south coast. The Fleurieu Peninsula, south of Adelaide, has long been an inspiration for artists and Kathleen Sauerbier was one of the first to respond to the area using a modernist approach including simplified forms, expressive lines and limited tones. Sauerbier was often seen outdoors battling the elements with her easel and paints and would paint the sights including built environs and the striking natural features, such as the cliffs, ocean and fields. Frequently Sauerbier invited fellow artist and friend Horace Trenerry to paint alongside her and it is around this time that Trenerry's palette embraced the muted mauve, pink and grey tones favoured by Sauerbier. It is also at this time that Sauerbier exhibited her work in Adelaide with the South Australia Society of Arts until 1935. She would later exhibit with the Group Twelve and the Melbourne branch of the Contemporary Art Society after moving to Melbourne in1937.


    Living in South Yarra, Melbourne, Sauerbier was inspired by the dynamic city bursting with energy that was near her. Sauerbier’s paintings from this period, of streetscapes and rooftop views, recall the energy and fast pace of London which she’d painted ten years earlier while studying overseas.  

     

    By the 1950s, Sauerbier moved to the quiter suburb of Donvale and she directed her artistic energy to fabric, jewellery and landscape design. However, although now permanently living in Melbourne, Sauerbier would continue to visit Port Willunga annually and paint, drawing inspiration from the south coast.

     

    Sauerbier passed away in 1991.

  • [Catalogue] Strzelecki, Gloria. 2011. Kathleen Sauerbier: A modern pursuit. Adelaide: Wakefield Press.
  • [Article] Fuller, H. E. 1934. Fresh Field In Art.