Dessert stand
Britain
1771 – 1844
Attributed to John Flaxman, designer
Britain
1755 – 1826
Rundell, Bridge & Rundell, retailer
Dessert stand
1812-13
silver gilt, glass
- Place made
- London
- Medium
- silver gilt, glass
- Dimensions
- 62.0 x 38.0 x 38.0 cm
- Credit line
- Gift of Mr and Mrs J.H.Borthwick and family fund assisted by the Art Gallery of South Australia Foundation 1993
- Accession number
- 932A23
- Signature and date
- Impressed marks on : lower platform "[lion passant]/ R/ [king's head]"; base of each acanthus leaf "[lion passant]/ [king's head]/ P.S"; upper platform "[lion passant]/ R/ [king's head]"; back of drapery near lower hem of each caryatid [king's head]/ [lion passant]/ P.S".
- Media category
- Metalwork
- Collection area
- British decorative arts
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This dessert stand is an excellent example of decorative arts in the grand and imposing neoclassical style, a style heavily inspired by the art and culture of classical antiquity. Popular in Europe in the late eighteenth and nineteenth centuries, it remained the dominant style for several decades, influencing architecture, art, drama and design.
The Dessert stand features three standing caryatids, figures based on those on the Erechtheion porch of the Acropolis, in Athens. Arms upright, they hold up an elaborate bowl in the style of a woven basket. Dessert stands such as this one were opulent and dramatic and designed as a feature for the centre of the banqueting table and intended to hold fresh and preserved fruit and flowers for the dessert courses. The design for the stand is attributed to the famous neoclassical sculptor and designer John Flaxman –known for his work for the potter Josiah Wedgwood – and executed by one of the leading silversmiths of the period, Paul Storr. The original drawing by Flaxman in the collection of the Victoria & Albert Museum, London, bears the description, ‘design for a fruit stand, the bottom section of which is adapted from a design for a silver-gilt candelabrum, one of a pair designed by John Flaxman for George IV when Prince of Wales, in the Royal Collection at Windsor Castle’.
Rebecca Evans, Curator of Decorative Arts & Design
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[Book] AGSA 500.