Dessert service, with flannel flowers
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119460-HQ-20147C157Aa_02-03-23.86830ef.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119459-HQ-20147C157Ab_02-03-23.c471022.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119458-HQ-20147C157Ac_02-03-23.d1b927a.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119457-HQ-20147C157Ad_02-03-23.71cb679.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119456-HQ-20147C157Ae_02-03-23.684bd35.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119455-HQ-20147C157Af_02-03-23.2ab0407.jpg)
/https://agsa-prod.s3.amazonaws.com/media/dd/images/119454-HQ-20147C157Ag_02-03-23.33977d0.jpg)
Floy Hubble
Australia
1885 – 1948
Dessert service, with flannel flowers
1941
hand-painted porcelain blank
Australia
1885 – 1948
Dessert service, with flannel flowers
1941
hand-painted porcelain blank
Currently on display, Gallery 18
- Place made
- Adelaide
- Medium
- hand-painted porcelain blank
- Dimensions
-
7.5 x 23.0 cm (diam.) (large bowl, a)
3.5 x 14.2 cm (diam.) (small bowls, each) - Credit line
- Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government's Cultural Gifts Program
- Accession number
- 20147C157A(a-g)
- Signature and date
- Large bowl signed and dated on base, "Floy Hubble 1941". All small bowls signed, "Floy Hubble".
- Media category
- Ceramic
- Collection area
- Australian decorative arts and design
-
The establishment of the government run Adelaide School of Design in 1881 saw enormous numbers of women educated in painting, repoussé, embroidery, and wood carving. Women were the main producers and buyers of hand-painted ceramics, often acquiring pieces to mark special occasions such as birthdays or weddings. A group of artists from the Adelaide School of Design were among those who exhibited at the First Australian Exhibition of Women’s Work in Melbourne in 1907. Artists including Marmie Venner, Maida Wright and Floy Hubble exhibited widely and were well known in their lifetimes.
Recent research has revived an interest in this period, particularly Adelaide’s intimate relationship with the British Arts and Crafts movement and the association between vocational training, suffrage, and women’s rights.