Dark Shadow no. 9
Britain
Gilbert
Britain
1943
George
Britain
1942
Dark Shadow no. 9
1974
nineteen gelatin-silver photographs
- Place made
- London
- Medium
- nineteen gelatin-silver photographs
- Dimensions
- 212.0 x 166.0 cm (overall )
- Credit line
- South Australian Government Grant 1975
- Accession number
- 752Ph1(a-s)
- Signature and date
- Signed and dated in central panel, red ink "George", "Gilbert", and printed in image "...SPRING 1974".
- Media category
- Photograph
- Collection area
- European photographs
- Copyright
- © Gilbert & George. Courtesy White Cube
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In the late 1960s, the two artists, Gilbert & George, began to exhibit together, becoming one entity, their identities fused. Rejecting the dominant tradition of sculpture, they became the work of art, presenting ‘Living Sculpture’. Styling themselves as ‘everyman’, in elegant, formal suits, they further emphasised this persona with their mannerisms, which were controlled and almost puppet-like. Their very proper appearance contrasted with their subject matter, which addressed social, sexual and artistic taboos.
Dark Shadow no. 9 belongs to Gilbert & George’s ‘DRINKING SCULPTURE’, from the late 1960s to the mid-1970s, which focused on drinking and depictions of the artists in states of drunkenness or unconsciousness (for example, the film Gordon’s makes us drunk, 1972, and the exhibitions, Reclining drunk, 1973, Drinking sculptures, 1974). In their 1974 artist book, Dark shadow, Gilbert & George describe their art as being about ‘earnest daily thoughts, shadows, deeds, cares and pleasures’. Typically understated, the words don’t quite match the debauched scene documented in this multi-part picture, which shows the artists in their London house, inebriated on the floor, with the detritus of their night around them.
Maria Zagala, Curator of Prints, Drawings and Photographs
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Dark Matter Bright Light
Art Gallery of South Australia, 12 December 2020
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[Book] AGSA 500.