Dame Barbara Hepworth was a leading sculptor of the twentieth century. Her talent was recognised from a young age while growing up in Yorkshire, England, and she won a scholarship to the Leeds School of Art. There she met fellow sculptor Henry Moore, with whom she formed a lifelong friendship and professional rivalry. She later won another scholarship to attend the Royal College of Art, London, and began to forge a career and reputation in an arts world heavily dominated by men.
At the outbreak of the Second World War, Hepworth, her partner and painter Ben Nicholson and their children relocated to St Ives in Cornwall, a seaside town known from the nineteenth century as a haven for artists. The move to Cornwall was intended to be temporary, but Hepworth found her studio in St Ives to be the ideal location for her continued output and she lived and worked there for the remainder of her life. Her home and studio, Trewyn, is now a public museum managed by the Tate Gallery.
Whenever it is exhibited, the enticing and mesmerising surface of Hepworth’s Head (Ra) immediately captures the viewer's gaze. This bronze sculpture, with its lustrous, highly polished surface is based on an earlier white marble prototype. Hepworth began producing these smaller-scale bronze works in the last decades of her career, moving away from the monumental carved stone works of her earlier practice. Much of Hepworth’s work was influenced by ancient Egyptian sculpture and iconography: in Egyptian mythology, Ra is the god of the sun and is considered one of the most important of all the gods, represented with a large gold disc or orb in hieroglyphs and sculptures. Like the Egyptian representations of Ra, Hepworth’s radiant sculpture appears to be illuminated from within.
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